Only Two Rs

Entries categorized as ‘Authors’

Lucy Clifford – Mrs WK Clifford

17/12/06 · 1 Comment

Another in my intermittent series of posts about authors.

Lucy Clifford (1846-1929) was an English author who wrote under the name Mrs WK Clifford, and was active in the last quarter of the nineteenth century and the early years of the twentieth. As well as being a novelist and dramatist she was a great literary correspondent, conducting voluminous exchanges of letters with among others Henry James. She had a wide circle of literary friends including Rudyard Kipling, George Eliot, and Thomas Huxley.

She was very well known in her day, but I had certainly never heard of her until I picked up my great grandmother’s copy of Woodside Farm the other week. I will discuss that another time. More information about her can be found in this Wikipedia article and on this website devoted to her and her husband, William Clifford, the mathematician.

Her work has been described as sensation fiction and often had a decidedly gothic cast to it for example her short story Wooden Tony. See this article in The Guardian about it.

Her novels & short stories included:

The Anyhow Stories, Moral and Otherwise (1882) – for children
Mrs Keith’s Crime (1885) Available for download here.
Love Letters of a Worldly Woman (1891)
The Last Touches and Other Stories (1892) A review is available here.
Aunt Anne (1893) available for download here.
A Flash of Summer (1895)
Mere Stories (1896)
Woodside Farm (1902)
The Getting Well of Dorothy (1904)

Two of her plays were:
A Woman Alone (1898)
The Likeness of the Night: A Modern Play in Four Acts (1900)

Categories: Authors · Books

Popular history

27/08/06 · 1 Comment

Another visit to the Book Festival, this time to hear Max Arthur (of the Forgotten Voices series) and Richard Holmes (Tommy etc). Both were excellent speakers, but it was a shame there were so few people at Arthur’s session, whereas Holmes was a sell out. I suspect this was because the schools are now back and Arthur was on during the day while Holmes was on at 18.30.

Arthur was promoting his new book, Lost Voices of the Edwardians, and it sounds a useful book to read for anyone researching the Great War, as this is the generation that went to war. He said the book arose out of his previous book, The Last Post, which was a series of interviews with the then last surviving veterans, and he thought it would be useful to do a book on their background. Society has changed a lot in the intervening century and he hoped to provide some insights into the sort of people who happily volunteered in 1914. We tend, as a society, I think, to have a very rose-tinted view of the Edwardian period. It’s all Upstairs Downstairs (which incidentally I re-watched on DVD recently, and still loved) and croquet on the lawn, not the grinding poverty described by Arthur’s respondents in his book. Even television such as the 1900 House a few years ago, and its country house follow-up, or others such as the Victorian Kitchen, failed to capture the experience of most people. Grinding poverty doesn’t make attractive television I suppose.

We also tend to think that the Great War acted as this huge fault line in society, creating a barrier between the “golden” Edwardian period and the flapper-filled twenties. However, one of the points Arthur made, was that there wasn’t a huge difference in the experience of most people between say the late Victorian period and the nineteen twenties, and he gave a plug for a future book covering that latter decade. There were changes, certainly, but they were not perhaps as far-reaching as we generally believe they were.

Holmes, who admitted to wearing two hats, that or military historian and member of the armed forces, asserted that he had not wanted to write his current book, Dusty Warriors, about the experience of a battalion serving in Iraq a couple of years ago. It had come about as a result of the regiment of which he is Lt Col, having one of its battalions posted to Iraq. This was less interesting for me in a historical sense, although the politics of it were fascinating. Holmes kept having to steer a course between what he could say, as a member of the armed forces, and what he wanted to say as a historian, and there were some questions he refused to answer. What did come over, however, were the attitudes and behaviour of the soldiers, whose average age after all, was only twenty. They seemed very similar to those described in Tommy, which was interesting. What was even more interesting from the point of view of my current writing project was a brief discussion about preventing post traumatic stress disorder.

The audience were almost equally interesting, there being large numbers of bristling moustaches, and fearfully pukka accents, although in response to a question, Holmes did say that the army was much less class ridden than previously and commissioning from the ranks was fairly common.

All in all, two fascinating speakers well worth seeing.

Categories: Authors · History · Non-fiction

Rosemary Sutcliff

28/07/06 · 4 Comments

I was at an antiquarian book fair today, and amazingly managed to restrain myself from buying anything. I noticed however that one of the booksellers had a Folio edition of The Eagle of the Ninth by Rosemary Sutcliff, and I was prompted to think about her.

I think the first of her books that I read as a child was Knight’s Fee which I was given one Christmas when I was nine or ten. It had he usual plot for Sutcliff – a young boy (often poor or in some other way disadvantaged) grows up to make his way in the world, in other words standard coming of age tales. Except these always seemed different. I never cared much for the Normans (which is the period in which Knight’s Fee is set) but the next Sutcliff book I obtained was The Eagle of the Ninth and I knew I had found a favourite. That copy has long since fallen to pieces, and it was replaced, although that Folio edition is exerting its attractions. As a child, I also obtained most of the other books in the dolphin ring sequence – The Silver Branch, The Lantern Bearers, Dawn Wind etc. Using the ring as a link between all these novels was an interesting device, that still allowed Sutcliff to tell the story of the impact of the fall of Rome on these islands.

I think, of her books that I owned then the only one I really didn’t like was Warrior Scarlet, and I’m not sure why.

Of course, long after I ceased reading her books, she continued writing and I recently acquired some of her later works as well as some of her earliest. In Simon (published 1953 and now out of print) we have the story of a friendship sundered by the Civil War, where one boy joins Cromwell’s army and the other the Royalist army. It’s interesting – Sutcliff hadn’t yet got into her stride, and it isn’t as dark as some of her more mature work, Sword at Sunset for example. In The Witch’s Brat (1970), however it was almost as if she were writing by rote and couldn’t be bothered putting more detail into the novel – it’s very short.

Sutcliff has been an influence on many writers including Lindsey Davis who dedicated her fifth Falco novel to her. I met Davis at the Edinburgh Book Festival some years ago and she said that for her too Sutcliff had been a childhood favourite.

There’s an interesting lit blog covering her work at Rosemary Sutcliff: an appreciation.

Categories: Authors · Children's fiction · Historical Fiction

Violet Needham

25/05/06 · Leave a Comment

Violet Needham, 1876-1967, was an author of fiction for older children. She published 19 books between 1939 and 1957, many of which fall into the Ruritania sub-genre of historical fiction. These are set in the fictitious countries of Flavonia and The Empire, perhaps loosely based on Romania and the pre-WW1 Austro-Hungarian Empire, and the old Emperor in The Black Riders certainly seems reminiscent of the aged Franz-Josef. The descriptions in The House of the Paladin seem to describe a landscape similar to that of the Danube Delta, and the mountains described in The Emerald Crown are reminiscent of Transylvania. Although her tales of Dick Fauconbois, the Stormy Petrel were written in the late thirties and forties, they don’t seem to be set quite then – the illustrations would seem to indicate a setting twenty or thirty years earlier. Again in The Black Riders, although she doesn’t go into the politics much, the background of a revolutionary movement, and spies, secret police and agents very much suggests the pre-war Balkans.

Of her books, only those most recently in print are at all easy to get hold of – these are The Black Riders, The Emerald Crown, The Woods of Windri, The House of the Paladin and the Changeling of Monte Lucio.

Bibliography

  • The Black Riders 1939
    The Emerald Crown 1940
    The Stormy petrel 1942
    The Horn of Merlyns 1943
    The Woods of Windri 1944
    The House of the Paladin 1945
    The Changeling of Monte Lucio 1946
    Bell of the four evangelists 1947
    The Boy in red 1948
    The Betrayer. 1950
    Pandora of Parrham Royal 1951
    The Avenue. 1952
    How many miles to Babylon? 1953
    Richard and the golden horse shoe 1954
    Adventures at Hampton Court 1954
    The Secret of the white peacock 1956
    The Great house of Estraville 1955
    Adventures at Windsor Castle 1957
    The Red rose of Ruvina 1957
  • There is a long article in Solander, which touches on her work, in particular the Ruritania sub-genre, and the Violet Needham Society is finally getting a website together.

    Categories: Authors

    Louise Gerard

    14/05/06 · Leave a Comment

    Louise Gerard was a writer of ‘exotic’ romantic fiction, active between 1910 and the late thirties. She favoured settings that her readers would be unfamiliar with, although she meticulously researched the locations, travelling widely to do so. She favoured a type of storyline that I find particularly repulsive, of the type, boy meets girl, boy rapes girl, girl falls in love with boy, wherein the hero is usually an orphaned Englishman raised in the desert by Bedouin or similar nonsense.

    My distaste notwithstanding, she was very popular in her day, being one of the fledgling Mills & Boon’s most successful authors and at least two of her novels were made into movies. Son of the Sahara was even reviewed by the New York Times in 1924.

    Her work and that of others like her is beginning to attract serious academic study; she is discussed in Lynne Hapgood’s book Margins of desire. The suburbs in fiction and culture 1880-1925, and also in Jay Dixon’s book The Romance fiction of Mills & Boon.

    Other modern readers however, seem to find her subject matter as distasteful as I do, as evidenced by this Book Crossing review of Fruit of Eden.

    Her novels were:
    A Golden Centipede 1910
    The Hyena of Kallu 1910
    A Tropical Tangle 1911
    The Swimmer 1912
    Flower of the Moon: a romance of the forest 1914
    The virgin’s Treasure: a romance of the tropics 1915
    Life’s Shadow Show 1916
    Days of Probation 1917
    The Mystery of ‘golden lotus’ 1919
    Spanish Vendetta 1920
    A Sultan’s Slave 1921
    Necklace of tears 1922
    Wreath of Stars: a romance of Venice 1923
    Shadow of the Palm 1925
    The Fruit of Eden 1927
    The Harbour of Desire 1927
    Wild Winds 1929
    The Dancing Boy 1928
    A Strange Young Man 1931
    Secret Love 1932
    Strange Paths 1934
    Following Footsteps 1936

    To me, some of these titles read as if they’ve come out of one of those online title generators, correction, they all do.

    Categories: Authors